September 16, 2009

Agustin Barrios - The Complete Guitar Recordings 1913-1942

As beautiful as a butterfly in a meat grinder.

Most discussions of this CD will weigh the importance of Agustin Barrios’s performances of his own pieces against the static, noise, and downright degradation present on a recording from a different time and place.

Although that conversation is valid, I would offer that this sound can be enjoyed purely on its own terms. Barrios writes music which is often particularly suited to being distorted and mangled, and at many points in the CD his repetitive passages, filtered by the ravages of time, are downright haunting. Jim O’Rourke or Thurston Moore would be proud to release a CD as compelling as this one at its peaks.

Of course, not everyone will expect a CD subtitled “Augustin Barrios plays his own and other compositions” to be an ambient grinding drone, and that mistake in packaging is likely the reason this collection has passed out of print. Still, even so, it is recommended if you like the Pablo Casals disc on EMI in which he plays the Bach Cello Suites (the original CD master, not the “restored” version).


I often think about making an edit of this music, wherein the grindy parts are emphasized.

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Tags: Jim O'Rourke distortion sonic youth classical guitar classical
April 21, 2009

Bill Callahan - Sometimes I Wish We Were An Eagle

The recording is fantastic. It’s like Callahan has finally left the lo-fi bugaboo behind and tried to make an album that just sounds great. Here’s a link with some stuff about the recording:
Bill Callahan - Progress Report - Stereogum

The songs are good, a significant return to form after the last one. I haven’t been blown away by them yet, but Smog Knock Knock sat on the shelf for a while before I discovered it.

Starts with a classical guitar, similar to a River Ain’t Too Much to Love - perhaps a conscious reference, given the kind of repudiation of the last album’s themes/sounds.

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Tags: bill callahan classical guitar production smog
January 8, 2009
[Flash 9 is required to listen to audio.]

Just West Coast

Fifteen years later, this album still fascinates me.  I love John Schneider’s (ahem, not the man who played Bo Duke and country music) playing on the movable-fret guitar.  His performance of Harry Partch’s “Barstow” feels just a little bit more ridiculous to me now, but of course Partch’s own performance is a towering masterpiece of hiliarity.

These are works tuned in Just Intonation, ie the tuning of notes to pure intervals rather than to intervals compromised to allow key changes.  When used to play music with implied key changes, Just Intonation really just sounds like bad tuning, but it’s kind of delightful nonetheless. It’s like trying to write your name while your arm is dead asleep.

“Barstow” is one of my favorite pieces of music.  In general, I like the idea of making regular things special by changing the context.  Here, Harry Partch takes little pieces of highway loneliness, hobo screeds and lost travelers’ time-passers, and arranges them in his deliriously odd harmonic mess.

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Tags: context guitar harry partch just intonation classical guitar classical
October 12, 2008

Battle / Parkening - The Pleasures of their Company

One of my favorite albums, by my favorite classical guitarist and a great singer.

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Tags: classical guitar singing